Prior to the pit firing, using stoneware clay, pots are wheel thrown or hand built and then burnished with a smooth pebble to compress the clay particles and create a smooth surface. Several coats of terra sigillata (fine liquid clay) are applied and the pots are buffed to a sheen, allowed to slowly dry and then bisque fired.

To create a variation of colors and patterns, I carefully compose organic matter (banana/avocado skins, straw, pecan shells, tea bags, coffee grounds, dried corn husks, etc.) and copper wire on top of and surrounding the pots. The pots are placed in a two-foot deep pit in the ground on a layer of straw mixed with salt. Crumpled newspaper provides a cushion for the pots before placing firewood on top and setting it alight. Each pot will be uniquely colored/patterned by the flow of smoke around it and blackened where it comes into contact with the smoldering material.

After several hours, the flames die down and a thick layer of coals covers the pots. The pit is covered and left overnight to continue to burn. About 24 hours later, the pots emerge from the ashes resembling ancient relics discovered during an archeological dig. When cool enough to handle, they are removed and cleaned. For the final step, several coats of wax are applied to bring out the colors, protect the pots, and add a sheen.

Pit fired pots are NOT waterproof or food safe.